Here are the instructions for the paper: Throughout the class, we’ve encountered a variety of ways to conceptualize film spectatorship. Choose one concept of the spectatorial relation and submit it to a classical critique. Ask what are its underlying assumptions? What does it help us to see and understand? And, finally, what are its limits? What does it leave out? The concept I want to use is Visual Pleasure and Narrative Cinema by Laura Mulvey. FYI, You can only use one quote from the text, that can’t be too long. Try not to focus on her analysis of Hitchock’s Vertigo too much.
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